Author: businessallstarsmagazine

“The Miracle Mile Shot” non-dialogue, Short-Subject Documentary at LAGFF

“The Miracle Mile Shot” is an experimental, non-dialogue short-subject documentary film by Greek-American artist-photographer Ithaka Darin Pappas. This is the third in his series of hip-hop Photomentaries almost entirely relying on his own archival imagery of West Coast rap artists.

“The Miracle Mile Shot”

Ithaka cites legendary documentary film-maker, Ken Burns as a motivating influence to begin this type of film work.

“I begin seeing these incredible documentaries randomly at different times and places around the world, on planes, at friends houses etc. And it took me a minute to realize that all of this compelling story-telling; Jazz, The Civil War, and The National Parks: America’s Best Idea were coming from the same source, Ken Burns. His projects can tell an entire story with only still photographs if necessary, it’s amazing.

I realized that I was the creator of much of the kind of raw still photographic material that Mr. Burns uses for his projects, and it has inspired me to begin to edit and present these images in a film format to tell a story. The Miracle Mile Shot is my third short-subject film festival project. I have already completed earlier this year Eazy E & Venice Locals (A Historic Day in the Brotherhood of Hip Hop and Skateboarding

I call these projects Photomentaries, meaning at this point I am only using still photographs in movement, with sound and text to vocal communicate ideas. I am not sure I will ever incorporate narration, I am enjoying the closed-mouth communication direction of it all and think I’d like to take it to the next level and even try a much longer project, of up to an hour.

“The Miracle Mile Shot” has also appeared at the Thessaloniki Documentary Festival and has already been submitted to several other short film festivals around the world.


In this short subject non-dialogue documentary, photographer Ithaka Darin Pappas reexamines “The Miracle Mile Shot”, a picture he took of N.W.A. in 1988, that through the decades has become the defining image of N.W.A. in its prime. The photograph examined in the short, entitled “The Miracle Mile Shot”, was made on November 11th 1988 and features Ice Cube, Dr. Dre, Eazy E, DJ Yella and MC Ren. The image began its existence being used as the official press image for NWA’s triple-Platinum album, Straight Outta Compton (Priority Records). “The Miracle Mile Shot” is an individual photo from a series of pictures made that day (at the photographer’s home apartment studio at 6516 1/2 Orange Street – Los Angeles) using a Hasselblad 500 CE camera with an 80mm lens and Norman lighting equipment. Throughout the decades, the image’s relevance has continued to grow, being one of the only photos in existence clearly showing the faces of all members of the short-lived but highly influential group

Source IMDB:

Used Bootleg Eazy-E “Skate Outta Compton” sweatshirt (photo by Ithaka Darin Pappas) selling on EBAY for astronomical $499!

Used Bootleg Eazy-E “Skate Outta Compton” sweatshirt (photo by Ithaka Darin Pappas) selling on EBAY for astronomical $499!

Used Bootleg “Eazy E & Venice Skaters” sweatshirt with photo by Ithaka Darin Pappas selling on EBAY for astronomical $499!


Rare illegal shirt produced by Thrasher Magazine available for as much as five hundred dollars.

Eazy E “Held His Own Skateboarding in Venice Beach in 1989”, Fab 5 Freddy tells VladTV

See Video Here: Fab 5 Freddy (VLADTV) 

Talks Eazy E Skateboarding 

in Venice and Ithaka pics in Contact High Exhibit

On May 15th the legendary Fab 5 Freddy spoke to DJ Vlad (VLADTV) about the early days of YO! MTV Raps, his NetFlix documentary The Grass Is Greener and about Ithaka Darin Pappas’ historic images of Eazy E, being hip hop’s very first skateboarder being shown at the exhibit Contact High: A Visual History of Hip Hop (Curated by: Vikki Tobak)

Full Interview at these links:

Part 1 (Fab 5 on VladTV):

Part 2 (Fab 5 on VladTV):

Part 3(Fab 5 on VladTV):

Part 4(Fab 5 on VladTV):

Part 5(Fab 5 on VladTV):

Part 6(Fab 5 on VladTV):

“Who’s The Enemy?” Ithaka & Gabriel o Pensador (remastered limited edition single)

Friends since 1993, the Ithaka Darin Pappas and Gabriel O Pensador first crossed paths in Lisbon, Portugal on a photoshoot for Super Som magazine (Editora Abril) at the time of Gabriel’s first tor of Europe coinciding with his #1 Brazilian hit, Tô Feliz (Matei o Presidente). Ithaka ( a former photographer of N.W.A, in Los Angeles) made pictures of nineteen year old Gabriel in a wheel chair, he had broken his leg a few days before playing soccer. The unusual images of the young rap star in a full leg cast ended up that edition of the magazine’s foldout poster.

Both surfers, The two became friends. Ithaka also began making music – and It was years later after he had visited Gabriel o Pensador and his family in Brazil, that Gabriel suggested to him the idea of recording an album there in Rio de Janeiro A couple of years later, after an introduction to a local producer was made, a new fifteen-track record finally began to materialize including their hip hop peace duet, Who’s The Enemy?

Was Eazy E Hip Hop’s First Skateboarder? (Rare 1989 Photos Surface In New Short Documentary)

Was Eazy E Hip Hop’s First Skateboarder? (Rare 1989 Photos Surface In New Short Documentary)


Eazy E & Venice Locals February 24th 1989 (A Historic Day in The Brotherhood of Hip Hop & Skateboarding). All photographs under federal copyright by © Ithaka Darin Pappas — @_ithaka_


Eric “Eazy-E” Wright was a hip-hop visionary who never got the credit he deserved for turning rap into an international phenomenon (though 2015’s Straight Outta Compton biopic went a long way toward rehabilitating his legacy). Well, he was a visionary in other ways, too. Decades before it became commonplace for every rapper to have a skateboard or two in his closet, Eazy was practicing kickflips with his young son on the streets of Compton. At a time when skateboarding was dominated by white kids listening to punk – and the hip hop community disregarded anything related to skate or surf, Eazy E paved the way.…


Это был исторический день в отношениях хип-хопа и скейтбординга. Это был первый раз, когда известный рэпер публично одобрил скейтбординг (и даже признался и продемонстрировал, что он был скейтбордистом mesmo). До этого дня скейтбординг был в основном для панков … хип-хоп не был чем-то увлеченным сообществом скейтбордов. Каким-то образом этот день подал зеленый свет между двумя мирами, что было нормально принимать друг друга. Это было начало пожизненного братства, поскольку все мы знаем, что эти две вселенные теперь движутся рука об руку, абсолютно неразделимы. este foi um dia histórico nas relações do hip hop e do skate. Foi a primeira vez que um conhecido rapper endossou publicamente o skate (e até admitiu e demonstrou que era um skatista mesmo). Antes deste dia, o skate era principalmente para punks … O hip hop não era algo abraçado pela comunidade de skate. De alguma forma, este dia serviu uma luz verde entre os dois mundos que era aceitável aceitar um ao outro. Foi o início de uma irmandade ao longo da vida, como todos nós sabemos que esses dois universos agora andam de mãos dadas, totalmente inseparáveis.

これはヒップホップとスケートボードの関係において歴史的な日でした。 有名なラッパーがスケートボーディングを公に承認したのは初めてのことでした(そして彼がスケートボーダーのメスモであることを認め、証明することすらありました)。 この日より前は、スケートボードは主にパンクのためでした…ヒップホップはスケートコミュニティによって受け入れられるものではありませんでした。 どういうわけかこの日は2つの世界の間でお互いを受け入れても大丈夫であるという緑色の光を出しました。 私達全員が今これらの2つの宇宙が手をつないで、絶対に不可分に乗って乗っているのを知っているので、それは生涯の兄弟愛の始まりでした。

Extremely Rare Photo of Eazy E Skateboarding by Ithaka Darin Pappas now on Exhibit at “Contact High” hosted by The Annenberg Space For Photography “Contact High: A Visual History of Hip-Hop,” at the Annenberg Space for Photography. A new group show organized by author Vikki Tobak looks at the work of photographers who chronicled the rise of hip-hop, with famous prints (like the iconic portrait of Biggie Smalls in a crown by Barron Claiborne) as well as unedited contact sheets and other images of key musical figures from the genre, including Eazy-E, Jay-Z and Salt-N-Pepa. Tobak is the author of the bestselling book on which the exhibit is based. Opens Friday and runs through Aug. 18. 2000 Avenue of the Stars, Century City, #eazye #hiphop #skateboarding #ithakadarinpappas #NWA General Admission Magazine: Tell us about the cover photo and how you got to that point with N.W.A? Ithaka Darin Pappas: At the time I was working for Priority Records. I was their main freelance photographer during this period and I had photographed N.W.A. probably more than any other photographer. This particular day was a shoot for MTV and they were doing a little culture clash unite between this pop group Kris Kross and N.W.A. Kris Kross came down and we all met in Venice. Fab 5 Freddy did the interview, an old-school artist and hip-hopper from New York. After the Kris Kross bailed we all walked down to the skate area down there on the beach at Venice. Eazy grabbed some kid’s skateboard and took off. I’d already been working with this crew for probably almost two years and I’d never even heard the word skate board came out of anybody’s mouth, or surfing, or anything like that. It was a shock to me, and he’d obviously spent some time on a skateboard because he knew what he was doing. General Admission Magazine: He could skate? Ithaka Darin Pappas: Yes. He was confident on it. One thing we’ve learned from this photo is Eazy is a goofyfooter. (Ed’s note: Goofyfoot is the type of stance a surfer or skater is defined by)

Eazy E Skateboarding! Rare Photograph by Ithaka Darin Pappas to be exhibited at Annenberg Space for Photography exhibit

Eazy E Skateboarding! Rare Photograph by Ithaka Darin Pappas to be exhibited at Annenberg Space for Photography exhibit

An ultra rare 1989 photograph of deceased rap superstar Eazy E (Eric Wright 1964-1995) by artist/photographer Ithaka Darin Pappas will soon be exhibited to the public at The Anneberg Space For Photography in Century City (Los Angeles). The exhibit Contact High: A Visual History Of Hip Hop created and curated by Vikki Tobak, with creative direction by hip hop founding father, Fab 5 Freddy.

Contact High includes 140 works from 60 photographers, with over 75 original, unedited contact sheets—from Barron Claiborne’s iconic Notorious B.I.G. portraits and early images of Jay-Z, Kendrick Lamar, and Kanye West as they first came on the the scene, to Janette Beckman’s defining photos of Salt-N-Pepa, Jamel Shabazz and Gordon Parks documenting hip-hop culture and the aforementioned images by Ithaka Darin Pappas.

Source: Newsweek

Razones por las que tienes que ver “Diablo Guardián” en Amazon Prime

Razones por las que tienes que ver “Diablo Guardián” en Amazon Prime


diablo guardian


En 2003 sorpresivamente un escritor joven le arrebató a Gabriel García Márquez el Premio Alfaguara (lo que siempre soñó Fernando Nachón), el héroe Xavier Velasco, un joven cercano al rock que escribió la novela “Diablo Guardián” inspirado en las aventuras y carácter de la actriz Yadira Pascault Orozco, que años más tarde le robó suspiros a toda la juventud al ser la protagonista del programa de Canal Once, Sónicamente, y que le daría vida a Violetta.
Ahora Amazon Prime Video adaptó “Diablo Guardián” y ha lanzado hoy esta serie en su plataforma, todo bajo la supervisión de Xavier Velasco y sus allegados como su mejor amigo Mauricio Arroyo “Gonzo” (a quien recordarán como VJ de Telehit o manager de bandas como Bengala) o Chuck Pereda.

La serie tiene todo para triunfar, cabe mencionar que es la primera serie producida en México por Amazon Prime Video, la producción que estuvo detrás es TAO, la casa premium de contenidos audiovisuales de Televisa, Arturo Pérez-Reverte fue la persona capaz de convencer al autor de ceder los derechos para esta adaptación, a la que se negó por años.

Así que este fin de semana pide pizzas, y dedicale todo a “Diablo Guardián”, puedes aprovechar el mes de prueba de Amazon Prime, que sinceramente te da muchos beneficios más allá del contenido en series y películas ya que tus envíos en las compras que hagas en Amazon serán gratuitos.