The new film by Hugo Ortiz Clemens “Do Not Disturb” (starring Yadira Pascault Orozco and Max Isaacson) offers a satirical, fun, and entertaining approach to the question of “who makes it in Hollywood and why” through the sexual exploration of the main characters. Although from different backgrounds, Isla (brilliantly articulated by Yadira Pascault Orozco) is a Mexican soap opera actress trying to make it into the American market, and Ryan, (authentically portrayed by Max Isaacson) is an ex-Disney star who wants to be viewed as a more serious actor. They both want the same thing; to be recognized for their work, They have observed the craving from society to poke their noses into other people’s lives while being hyper-sexualized could be used to their advantage.
Actors Yadira Pascault Orozco and Damián Alcázar (Narcos) at the premier of The Mongol Plot (El Complot Mongol) at Grauman’s Egyptian theater in Hollywood, California (Guadalajara International Film Festival In Los Angeles 2018).
Actress Yadira Pascault Orozco was one of the honored attendees at the premier of Sebastian del Amo’s new film El Complot Mongol at the Guadalajara International Film Festival in Los Angeles. The film stars, Eugenio Derbez and Damián Alcázar.
Among the new sculptures being presented at Carol Feuerman’s solo exhibit at the Giardino Della Marinaressa (2017 Venice Biennale) is “The Midpoint” a stunning portrayal of Mexican actress, Yadira Pascault Orozco (Sonicamente, Aquí Entre Nos, No Eres Tú, Soy Yo ) who posed for Carole Feuerman in August of 2016 at Feuerman’s Manhattan studio. The two had met at Carole’s “Preception” exhibit at KM Fine Arts in Los Angeles the month before.
Carole A. Feuerman is recognized as a pioneering figure in the world of hyperrealist sculpture. Together with Hanson and De Andrea, she was one of the three leaders that started the movement in the late seventies by making life like sculptures that portrayed their models precisely. Dubbed ‘the reigning doyenne of super-realism’ by art historian John T. Spike, Feuerman has solidified her place in art history.
Business All Stars Magazine 